Adam Hood Live @ Docie’s Dock With Special Guest Max Stalling – Oct 18th

Adam Hood

Solo artist. Frontman. Behind-the-scenes songwriter. For more than a decade, Adam Hood has left his mark onstage and in the writing room, carving out a southern sound that mixes soul, country, and American roots music into the same package. It’s a sound that began shape in Opelika, Alabama. Raised by working-class parents, Hood started playing hometown shows as a 16 year-old, landing a weekly residency at a local restaurant. He’d perform there every Friday and Saturday night, filling his set list with songs by John Hiatt, Steve Warner, Hank Williams Jr, and Vince Gill. As the years progressed, the gigs continued — not only in Alabama, but across the entire country, where Hood still plays around 100 shows annually. These days, though, he’s no longer putting his own stamp on the songs of chart-topping country stars. Instead, many of those acts are playing his music. Little Big Town, Miranda Lambert, Anderson East, Frankie Ballard, Josh Abbott Band, Lee Ann Womack, and Brent Cobb are among the dozens of artists who’ve recorded Hood’s songs. An in- demand songwriter, he signed a publishing deal with Warner/Chappell Nashville and producer Dave Cobb’s Low Country Sound in 2016, while still maintaining a busy schedule of tour dates in support of his third solo release, Welcome to the Big World. Two years later, he continues the balancing act with his newest album, Somewhere in Between. A showcase for both his frontman abilities and songwriting chops, Somewhere in Between also shines a light on Hood’s strength as a live act. He recorded most of the album live at Nashville’s Sound Emporium Studios over two quick days. Teaming up with producer Oran Thornton (Angaleena Presley’s Wrangled, Miranda Lambert’s Revolution) along the way, their goal was to create something that reflected the raw, real sound of his concerts, where overdubs and unlimited takes are never an option. Also joining Hood in the studio were bassist Lex Price, guitarist and co-writing partner Pat McLaughlin, and drummer Jerry Roe, all of whom captured their parts in a handful of live performances. Hood tracked his vocals at the same time. Stripped free of studio trickery and lushly layered arrangements, Somewhere in Between is an honest, story-driven record — the sort of album that relies on craft, not gloss, to pack its punch. It’s also an album that finds Hood telling his own story. A dedicated family man, he wrote “Locomotive” after watching his young daughter develop her motor skills while playing with a set of blocks. A road warrior, he penned songs like “Downturn” about a life filled with wanderlust and long drives from gig to gig. A native Alabaman who still lives in the Yellowhammer State, he celebrates America’s rural pockets with “Keeping Me Here” and “Real Small Town,” two songs that fill their verses with images of main streets, open landscapes, hard times, and good people. Somewhere in Between may be autobiographical but there’s a universal appeal to this music. A true blue-collar songwriter, Hood shines a light on the everyday experiences — from family to friends to the thrill of Friday nights — that we all appreciate. It’s extraordinary music about ordinary lives, performed with conviction by a man who continues to balance a critically acclaimed solo career with his commercial successes as a songwriter. “It’s southern music,” he says, grouping Somewhere in Between’s wide range of music under an appropriate banner. “That’s what it represents: the soulful side of southern music, the country side of southern music, the genuineness of southern culture, and the way I grew up. One of the t-shirts I sell at every show simply says ‘Southern songs’ and that’s a good summary of what I do. It’s what I’ve always done.”

Max Stalling

Texas based singer/songwriter Max Stalling followed a unique path into the music business. He is originally from the Crystal City/Carrizo Springs area of southwest Texas. He has a master’s degree in horticulture from Texas A&M University and left a day job as a research scientist for snack food giant Frito Lay to pursue a fulltime career as a songwriter. He has 6 studio albums and three live projects including a full-length DVD. In addition to solo and duo shows, Max travels with a four-piece band and does 150+ shows annually. Of recent, his wife Heather, a very accomplished fiddle player and songwriter herself, has been playing with Max and his band.

Stalling creates a dynamic live show that’s smart, charming and as listenable as it is danceable. Stalling and troupe are equally at home on a huge concert stage in front of thousands or playing an acoustic set for a hundred. “Any success I’ve had I chalk it up to the strength of the songs and the strength of my band”, comments Max. Despite playing the same circuit as many household names in Texas country, grouping Stalling with them would be premature. His unique voice and amusingly clever song lyrics set him apart. Stalling’s style is modern with a vintage feel.

​Stalling is in the 7th year of a Shiner Beers sponsorship. His song “Scars and Souvenirs” was used as the title for an episode of Grey’s Anatomy in 2007 and he is featured on the CW Network’s Troubadour, TX television series. He is a former member of the Board of Governors for the Texas Chapter of NARAS and has been lucky enough to share the stage with most of the artists that inspired him to start writing in the first place. He is a staple in the Texas/Red Dirt scene as well as having chart-topping history in the Americana radio format. He has a star on the South Texas Music Walk of Fame.